This methodology works a bit better in my opinion, as it allows for stronger bonding between the main characters while still incorporating all the girls and the full side cast to great effect.In this manner, Clannad establishes itself as a worthy successor in Kyoto Animation's line of work, and certainly avoids merely dwelling in Kanon (2006)'s shadow. It still touches upon many of the girls' in a minor context, but ultimately it uses them to direct the central romance as the series' staple point. As soon as Fuko's arc closes, the series spins off in a different overall direction, emphasizing the romantic developments between Okazaki and Nagisa instead of drawing out different dramatic arcs with different girls. This certainly is no detriment, as both arcs prove quite enjoyable, but it inaccurately portrays Clannad as a mere rehashing of the same plot with different characters. Indeed, Fuko's arc bears an enormous number of similarities to Makoto's arc, down to even episode count, and the only real difference comes with its tradeoff of a bit of drama for more humor. At its core Clannad is only superficially a harem, as its touching romance, solid drama, and clean humor all distance it from the genre norm.In many ways, Clannad follows a structure very similar to Kanon (2006), so fans of the its predecessor (myself included) will likely feel right at home in its first episodes. Though their works all retain the basic harem elements of their source material by means of large female casts, the studio has proved, yet again, that a great anime does not need to be guided by them. StorySince my first experience with Air some three years ago, I've found myself continually impressed with Kyoto Animation's visual novel adaptations.
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